A vivid, expansive vision of intergenerational witness and repair.
The village is tilting on its axis. It is turning. All its organs are spilling into the bay.
shima is a mosaic of the emotional, psychic, and generational toll that exile from a pillaged culture impresses on a poet and his community. Come to haunt yamagushiku’s practice of ancestor veneration are photographs and a narrative that spans his own life and a mythic parallel filled with a voice as spare as it is present, yearning as it is precise. The poet says, I am taking the sharpest stick and poking the root ancestor. I am insisting that if he awakens I will have something useful to say.
Speaking through a cultural amnesia collected between a sunken past and a sensed, ghostly-dreamed future, shima anchors this interrogation of the relationship between father and son in the fragile connective tissue of memory where the poet’s homeland is an impossible destination.
Series Overview: McClelland & Stewart is committed to publishing work by Canadian poets whose work engages and excites, and who stand out because of the distinctiveness of their voices, their rigorous dedication to craft, and the scope of their imaginations.
* Paperback
shō yamagushiku's work is grounded in a diasporic okinawan consciousness. He writes from the homelands of the Lekwungen and W̱SÁNEĆ peoples (Victoria, BC). His first poetry collection, entitled shima, reflects ancestors, violence, and tradition.